Book Review: Creation and Anarchy by Giorgio Agamben

This is a book for people who want to dive into words, and the first sign of that comes from how you read the title. "Creation" is indeed a theme of the book, more in the artistic sense than the natural, but the "anarchy" Agamben talks about is about things that have no beginning or "arche" (an-arche). The first essay is about the "archeology" of "works of art" but I associate it with etymology, rather: it's about how Aristotle and company most highly valued the artworks that changed the person, inside, rather than those that produced a physical object. Therefore, contemplation was a high good, much higher than it is today. I'd like to contemplate bringing that back.

Overall, this book is the second I've read by Agamben and both have been the very definition of pithy. These books are only 100 pages or so and 5-6 chapters, but open them up and they have as much depth as the Tardis. Occasional paragraphs get bogged down in philosophical complexities, but Agamben's ability to take words apart and reconstruct their meanings means that if you have a passing knowledge of Greek or Latin, then you're able to keep up with the fundamental ideas, which are what really matter.

The last two essays (of five) are the best, and overlap with David Bosworth's The Demise of Virtue in Virtual America, another little book with big implications. Agamben points out that the conflict between science and religion may reflect how the two disciplines use words: philosophy and science use words of description; law, religion, and magic use words of command. There's a great gulf between describing something passively, and speaking to make something true, respectively. That crystalline insight is an example of why, if you like words, you should read Agamben.