I had put off reading this, because if there’s one thing I
didn’t necessarily want to read from Helprin, it was a war novel. Not because
it wouldn’t be well written – because it would be too well-written, or at least
too affecting. Helpin specializes in intense, over-the-top decriptions, lush to
the point of irrationality, but always beautiful even in their ugliness.
Helprin’s great at writing chases, in which I feel as if I’m running with his
characters, but when he writes about fights, I feel as if I’m the one being
hit. I just didn’t want to read a whole novel like that. I was wrong.
A Solider of the Great War is about World War I, and takes
its structure from Dante’s Inferno, so here we have Mark Helprin describing the
events that traumatized J.R.R. Tolkien (for example) for his entire life. Yet,
Helprin is Helprin, so there’s more beauty than horror (and even beauty in the
horror). Only one short section takes place in the dead marsh-- I mean, the trenches.
Around that you visit Sicily, Venice, the Alps, and again and again, Rome
herself, which comes alive almost as much as New York City in Winter’s Tale
(almost!). By the end it all comes together, so that this may have the best
overall structure of Helprin’s “Dante trilogy.”
As in all of Helprin’s books, he is second to none at
describing how men fall in love. For that alone he deserves to be read. An
important subtheme is believing in God, or rather, how believing in God is not
really the right term, since faith and hope are far more than assenting to
propositions, it’s immersing yourself in the gift of God’s world. And again, as
with all Helprin’s work, there are flaws. But I can’t help it, I love this
book. Right now it’s my third favorite Helprin behind Winter’s Tale and the
Kingdom Far and Clear trilogy. I’ve convinced myself it’s gotta get five stars.
So sue me.
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