Tuesday, August 1, 2017
I read this book not because I wanted to know more about St. Francis (that was a bonus), but because I wanted to observe how Chesterton structured his biographical sketch. It's cherry-picking at its best, because you know going in that it's cherry-picked. Chesterton, as always, is best at the big picture and worst at the details. I found Chesterton's sketch of St. Thomas Aquinas to be better, but there were many memorable bits in this one: Chesterton's theory for why the Dark Ages were so dark, his ability to show the real point of the miraculous so you don't get sidetracked arguing what doesn't really matter, and his argument that Francis's mirroring of Christ goes both ways are all worth the price of admission. This seems to be less dense than his other work, which makes it faster reading but also leaves you chewing on his statements a little less . Good middle-of-the-road Chesterton and what it was lacking (slightly) in content it made up in inspiring me to write my own biosketches someday. Maybe you can write your own too?
This one was over too soon. King and Chizmar (although it must have been King because he started the story) tell a story about a box that is the perfect blend of mystery and power. You want to press the buttons and find out what happens, but you're also afraid of it -- although I want more detail. The central character is believable and grows up convincingly through her interactions with others -- although I want more detail. The whole story is an entertaining contrivance, without much weight to it, like the button box itself. It's also well-crafted -- I had no idea it was co-written till it I found out through an interview at the end. If this is the product of King co-writing, then he should co-write more.